
Gregg Toland
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From Wikipedia Gregg Toland, A.S.C. (May 29, 1904 – September 28, 1948) was an American cinematographer noted for his innovative use of lighting and techniques such as deep focus, an example of which can be found in his work on Orson Welles' Citizen Kane. Toland was born in Charleston, Illinois on May 29, 1904. During the 1930s, Toland became the youngest cameraman in Hollywood but soon one of its most sought-after cinematographers. Over a seven-year span (1936–1942), he was nominated five times for the "Best Cinematography" Oscar, including a win in 1940 for his work on Wuthering Heights. He worked with many of the top directors of his era, including John Ford, Howard Hawks, Erich von Stroheim, King Vidor, Orson Welles, and William Wyler. Toland was the subject of an "Annals of Hollywood" article in The New Yorker, "The Cameraman," by Hilton Als (June 19, 2006, p. 46). Just before his death, he was concentrating on the "ultimate focus" lens, which makes both near and far objects equally distinct. He died in Los Angeles, California on September 26, 1948 of coronary thrombosis at age 44. He is interred in the Hollywood Forever Cemetery in Hollywood, California.
Known for
Credits

Citizen Kane (1941)
Director of Photography

Wuthering Heights (1939)
Director of Photography

The Best Years of Our Lives (1946)
Director of Photography

The Outlaw (1943)
Director of Photography

The Grapes of Wrath (1940)
Director of Photography

Song of the South (1946)
Director of Photography

Les Misérables (1935)
Director of Photography

Dead End (1937)
Director of Photography

The Bishop's Wife (1947)
Director of Photography

The Little Foxes (1941)
Director of Photography

Ball of Fire (1941)
Director of Photography

Palmy Days (1931)
Director of Photography

These Three (1936)
Director of Photography

Beloved Enemy (1936)
Director of Photography

Man Wanted (1932)
Director of Photography

The Westerner (1940)
Director of Photography

A Song Is Born (1948)
Director of Photography

The Cowboy and the Lady (1938)
Director of Photography

Street Scene (1931)
Director of Photography

The Long Voyage Home (1940)
Director of Photography

Roman Scandals (1933)
Director of Photography

Intermezzo: A Love Story (1939)
Director of Photography

They Shall Have Music (1939)
Director of Photography

Enchantment (1948)
Director of Photography

Mad Love (1935)
Director of Photography

History Is Made at Night (1937)
Director of Photography

The Goldwyn Follies (1938)
Director of Photography

The Devil to Pay! (1930)
Director of Photography

Raffles (1939)
Director of Photography

The Road to Glory (1936)
Director of Photography

The Kid from Brooklyn (1946)
Director of Photography

The Dark Angel (1935)
Director of Photography

Come and Get It (1936)
Director of Photography

The Wedding Night (1935)
Director of Photography

December 7th (1943)
Director of Photography

The Winning of Barbara Worth (1926)
Director of Photography

The Life and Death of 9413: A Hollywood Extra (1928)
Director of Photography

Public Hero Number 1 (1935)
Director of Photography

Raffles (1930)
Director of Photography

Forsaking All Others (1934)
Director of Photography

We Live Again (1934)
Director of Photography

Nana (1934)
Director of Photography

Whoopee! (1930)
Director of Photography

Splendor (1935)
Director of Photography

The Kid from Spain (1932)
Director of Photography

The Tenderfoot (1932)
Director of Photography

Condemned! (1929)
Director of Photography

Bulldog Drummond (1929)
Director of Photography

The Fighting Generation (1944)
Director of Photography

The Trespasser (1929)
Director of Photography

The Washington Masquerade (1932)
Director of Photography

Woman Chases Man (1937)
Director of Photography

Tonight or Never (1931)
Director of Photography

This Is Heaven (1929)
Director of Photography

The Nuisance (1933)
Director of Photography

The Masquerader (1933)
Director of Photography

One Heavenly Night (1930)
Director of Photography





