
Stanley Cortez
Photoplayd Industry Rating
Not enough rated films yet to compute a weighted score.
Roles are weighted by involvement: director 1.0, screenwriter 0.7, lead 0.8, supporting 0.4, crew 0.1.
American cinematographer. He worked on over seventy films, including Orson Welles' The Magnificent Ambersons (1942), Charles Laughton's The Night of the Hunter (1955), Nunnally Johnson's The Three Faces of Eve (1957), and Samuel Fuller's Shock Corridor (1963) and The Naked Kiss (1964).
Known for
Credits

The Night of the Hunter (1955)
Director of Photography

The Bridge at Remagen (1969)
Director of Photography

Shock Corridor (1963)
Director of Photography

The Magnificent Ambersons (1942)
Director of Photography

The Black Cat (1941)
Director of Photography

Apache (1954)
Director of Photography

Dinosaurus! (1960)
Director of Photography

Since You Went Away (1944)
Director of Photography

Black Tuesday (1954)
Director of Photography

The Naked Kiss (1964)
Director of Photography

Back Street (1961)
Director of Photography

Secret Beyond the Door (1947)
Director of Photography

The Angry Red Planet (1959)
Director of Photography

Vice Raid (1959)
Director of Photography

Abbott and Costello Meet Captain Kidd (1952)
Director of Photography

Doomsday Machine (1972)
Director of Photography

The Three Faces of Eve (1957)
Director of Photography

The Ghost in the Invisible Bikini (1966)
Director of Photography

Sealed Lips (1942)
Director of Photography

Badlands of Dakota (1941)
Director of Photography

The Neanderthal Man (1953)
Director of Photography

The Underworld Story (1950)
Director of Photography

Another Man, Another Chance (1977)
Director of Photography

Blue (1968)
Director of Photography

Flesh and Fantasy (1943)
Director of Photography

Top Secret Affair (1957)
Director of Photography

Thunder in the Sun (1959)
Director of Photography

Man from Del Rio (1956)
Director of Photography

Smash-Up: The Story of a Woman (1947)
Director of Photography

The Navy vs. the Night Monsters (1966)
Director of Photography

The Admiral Was a Lady (1950)
Director of Photography

Smart Woman (1948)
Director of Photography

The Diamond Queen (1953)
Director of Photography

Meet the Wildcat (1940)
Director of Photography

The Man on the Eiffel Tower (1949)
Director of Photography

The Powers Girl (1943)
Director of Photography

Fort Defiance (1951)
Director of Photography

Risky Business (1939)
Director of Photography
For Love or Money (1939)
Director of Photography

Armored Car (1937)
Director of Photography

They Saved Hitler's Brain (1968)
Director of Photography

Danger on the Air (1938)
Director of Photography

Do Not Fold, Spindle, or Mutilate (1971)
Director of Photography

The Leather Pushers (1940)
Director of Photography

The Madmen of Mandoras (1963)
Director of Photography

Riders to the Stars (1954)
Director of Photography

Bombay Clipper (1942)
Director of Photography

Stronghold (1951)
Director of Photography
Moonlight in Hawaii (1941)
Director of Photography





