Karl Freund
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Roles are weighted by involvement: director 1.0, screenwriter 0.7, lead 0.8, supporting 0.4, crew 0.1.
From Wikipedia, the free encyclopedia. Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937). In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered. Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks". Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known for
Credits

Metropolis (1927)
Director of Photography

All Quiet on the Western Front (1930)
Director of Photography

Dracula (1931)
Director of Photography

Camille (1936)
Director of Photography

Pride and Prejudice (1940)
Director of Photography

Key Largo (1948)
Director of Photography

The Good Earth (1937)
Director of Photography

The Last Laugh (1924)
Director of Photography

Undercurrent (1946)
Director of Photography

Blossoms in the Dust (1941)
Director of Photography

The Head of Janus (1920)
Director of Photography

The Thin Man Goes Home (1944)
Director of Photography

The Golem: How He Came into the World (1920)
Director of Photography

Murders in the Rue Morgue (1932)
Director of Photography

The Great Ziegfeld (1936)
Director of Photography

Green Hell (1940)
Director of Photography

That Hagen Girl (1947)
Director of Photography

Bright Leaf (1950)
Director of Photography

Golden Boy (1939)
Director of Photography

A Guy Named Joe (1944)
Director of Photography

Du Barry Was a Lady (1943)
Director of Photography

Three Comrades (1938)
Director of Photography

Cry 'Havoc' (1943)
Director of Photography

The Affairs of Martha (1942)
Director of Photography

The Seventh Cross (1944)
Director of Photography

Tortilla Flat (1942)
Director of Photography

The Bad Sister (1931)
Director of Photography

The Suffragette (1913)
Director of Photography

Parnell (1937)
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Back Street (1932)
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Without Love (1945)
Director of Photography

Air Mail (1932)
Director of Photography

Berlin: Symphony of a Great City (1927)
Director of Photography

Tartuffe (1926)
Director of Photography

Conquest (1937)
Director of Photography

Tail Spin (1939)
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Port of Seven Seas (1938)
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Man-Proof (1938)
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Two Smart People (1946)
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Montana (1950)
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Rose of Washington Square (1939)
Director of Photography

We Who Are Young (1940)
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Balalaika (1939)
Director of Photography

Wallflower (1948)
Director of Photography

South of St. Louis (1949)
Director of Photography

Florian (1940)
Director of Photography

The Burning Soil (1922)
Director of Photography

The Spiders: Part 1 - The Golden Sea (1919)
Director of Photography

The Kiss Before the Mirror (1933)
Director of Photography

A Yank at Eton (1942)
Director of Photography

Michael (1924)
Director of Photography

The Earl of Chicago (1940)
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Countess Kitchenmaid (1918)
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The Rats (1921)
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A Knight in London (1928)
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I Love Lucy: The Movie (1953)
Director of Photography

Up for Murder (1931)
Director of Photography

Dangerous Partners (1945)
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A Letter for Evie (1946)
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The Chocolate Soldier (1941)
Director of Photography

The Decision of Christopher Blake (1948)
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Intoxication (1919)
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Manon Lescaut (1926)
Director of Photography

Barricade (1939)
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The War Against Mrs. Hadley (1942)
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Variety (1925)
Director of Photography

Afraid to Talk (1932)
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Little Angel (1914)
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Letter of Introduction (1938)
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Fräulein Else (1929)
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Scandal for Sale (1932)
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The Spiders: Part 2 - The Diamond Ship (1920)
Director of Photography

Lucrezia Borgia (1922)
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Strictly Dishonorable (1931)
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The Finances of the Grand Duke (1924)
Director of Photography
The Expulsion (1923)
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Personal Maid (1931)
Director of Photography
Die Claudi vom Geiserhof (1917)
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This Time for Keeps (1947)
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Das wandernde Licht (1916)
Director of Photography
Panic in the House of Ardon (1920)
Director of Photography

A Venetian Night (1914)
Director of Photography

Phantome des Lebens (1919)
Director of Photography
Das Maskenfest des Lebens (1918)
Director of Photography

The Giant's Fist (1917)
Director of Photography

The Lottery Bride (1930)
Director of Photography

Satan (1920)
Director of Photography

The Hound of the Baskervilles (1914)
Director of Photography

Die Ehe der Luise Rohrbach (1917)
Director of Photography

The Boudoir Diplomat (1930)
Director of Photography
The Man in the Mirror (1916)
Director of Photography

The Robber Bride (1916)
Director of Photography

Der Liebesbrief der Königin (1917)
Director of Photography
Die Heimkehr des Odysseus (1918)
Director of Photography

Torgus (1921)
Director of Photography

The Hunchback and the Dancer (1920)
Director of Photography
The Arc (1919)
Director of Photography

The White Roses (1916)
Director of Photography

The Film Prima Donna (1913)
Director of Photography

Das Geschlecht derer von Ringwall (1918)
Director of Photography

Bummelstudenten (1916)
Director of Photography

Sleeping Partners (1930)
Director of Photography
Frau Eva (1916)
Director of Photography

Herzog Ferrantes Ende (1922)
Director of Photography
Agnes Arnau und ihre drei Freier (1918)
Director of Photography

Die Dame, der Teufel und die Probiermamsell (1918)
Director of Photography

Lady Juan (1928)
Director of Photography
Der Tiger des Zirkus Farini (1923)
Director of Photography

Marizza (1922)
Director of Photography

The Boy in Blue (1921)
Director of Photography

Die blaue Laterne (1918)
Director of Photography
Das Feuer (1914)
Director of Photography
Die Arche. 2. Teil: Die letzten Menschen (1919)
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The Golem (1960)
Director of Photography

Das blinde Glück (1922)
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Gefangene Seele (1917)
Director of Photography

Zapata's Gang (1914)
Director of Photography
Auf Probe gestellt (1918)
Director of Photography
Poor Mother (1912)
Director of Photography
Christa Hartungen (1917)
Director of Photography
Die Nacht auf Goldenhall (1920)
Director of Photography

The Lost Shadow (1921)
Director of Photography





