
E.A. Dupont
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Ewald André Dupont (25 December 1891, Zeitz, Saxony, Germany – 12 December 1956, Hollywood) was a German film director, one of the founders of the German film industry. He was frequently credited as E. A. Dupont. A newspaper columnist in 1916, Dupont became a screenwriter and began directing his own crime-story scripts in 1918. After several successes in his native Germany in silent films, he worked in London and in Hollywood, California. One of his greatest successes was the silent film Varieté (1925). This film, about an ex-trapeze artist, was noted for its innovative camerawork with highly expressive movement through space, accomplished by the prolific expressionist cinematographer Karl Freund. Varieté even did well in the United States, screening for 12 weeks at New York's Rialto Theatre. Dupont's success was noticed by Carl Laemmle at Universal, who offered Dupont a lucrative contract. His first project was Love Me and the World Is Mine in the early summer of 1926, which ran well over budget ($350,000) and was not a success. His film Piccadilly (1929), a late silent, is noted for the central performance of the Chinese-American actress Anna May Wong. Atlantic (also 1929) is seen as one of the most innovative uses of sound film technology available at the time. After his successes in the UK, Dupont returned to Hollywood in 1933, though he directed only a handful of films after 1939. Description above from the Wikipedia article Ewald André Dupont, licensed under CC-BY-SA, full list of contributors on Wikipedia. From Wikipedia, the free encyclopedia.
Known for
Credits

Problem Girls (1953)
Director

Trapeze (1931)
Director

Hell's Kitchen (1939)
Director

The Two Worlds (1930)
Director

Atlantik (1929)
Director

Two Worlds (1930)
Director

Die Geierwally (1921)
Director

The Steel Lady (1953)
Director

Atlantic (1930)
Director

Pictura (1951)
Director

Alcohol (1920)
Director

Piccadilly (1929)
Director

Mitternacht (1918)
Director
Hearts Are Trumps (1920)
Director

Night of Mystery (1937)
Director

The Secret of the American Docks (1919)
Director
Der Demütige und die Tänzerin (1925)
Director

The Scarf (1951)
Director

Forgotten Faces (1936)
Director

Variety (1925)
Director

A Son Comes Home (1936)
Director

The Bishop Misbehaves (1935)
Director

The Neanderthal Man (1953)
Director
She and the Three (1922)
Director

The Ancient Law (1923)
Director

Children of Darkness - 1. The Man from Naples (1921)
Director

Peter Voss, Thief of Millions (1932)
Director

On Such a Night (1937)
Director

Atlantic (1929)
Director

Love Me and the World Is Mine (1927)
Director

The Marathon Runners (1933)
Director

The Green Manuela (1923)
Director
Der Würger der Welt (1920)
Director

Return to Treasure Island (1954)
Director

Moulin Rouge (1928)
Director

The Love Storm (1930)
Director

Children of Darkness - 2. Fighting Worlds (1922)
Director

Love on Toast (1937)
Director
Cape Forlorn Sound Rushes (—)
Director

The Lost Course (1931)
Director

The Japanese Woman (1919)
Director

Cape Forlorn (1931)
Director

Ladies Must Love (1933)
Director

Two Worlds (1930)
Director

Somersault (1931)
Director
The White Peacock (1920)
Director





