
Josef von Sternberg
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Josef von Sternberg, born Jonas Sternberg (29 May 1894 – 22 December 1969) was an Austrian-born film director and is among the few whose career successfully spanned the transition from the silent to the sound era. He is considered one of the earliest 'auteur' filmmakers, having filled many other roles on his films including those of cinematographer, screenwriter, and editor. Sternberg's style influenced later directors, particularly those of the film noir period. He is particularly noted for his distinctive mise en scène, use of lighting and soft lens, and collaboration with actress Marlene Dietrich. Among his most important works are The Blue Angel (1930), Morocco (1930), Shanghai Express (1932) and The Scarlet Empress (1934). Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States.
Known for
Credits

The Blue Angel (1930)
Director

Shanghai Express (1932)
Director

Morocco (1930)
Director

Anatahan (1953)
Director

Crime and Punishment (1935)
Director

The Scarlet Empress (1934)
Director

Jet Pilot (1957)
Director

Dishonored (1931)
Director

Blonde Venus (1932)
Director

Macao (1952)
Director

The Shanghai Gesture (1941)
Director

The Devil Is a Woman (1935)
Director

The Exquisite Sinner (1926)
Director

Thunderbolt (1929)
Director

An American Tragedy (1931)
Director

Underworld (1927)
Director

The Docks of New York (1928)
Director

The Last Command (1928)
Director

The King Steps Out (1936)
Director

The Case of Lena Smith (1929)
Director

I, Claudius (1937)
Director

Sergeant Madden (1939)
Director

The Fashion Side of Hollywood (1935)
Director
A Woman of the Sea (1926)
Director

The Town (1944)
Director

The Masked Bride (1925)
Director

The Drag Net (1928)
Director

Marlene Dietrich, “The Blue Angel” Screen Test (1930)
Director

The Salvation Hunters (1925)
Director





