
Nguyễn Tân Hoàng
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Nguyen Tan Hoang is a video artist whose work interrogates forms of desire in queer Asian male identities, Vietnamese diasporic cultural production, and Asian American popular culture. His short experimental videos have screened nationally and internationally in venues such as New York’s MOMA, the Musée National d’Art Moderne at the Centre Georges Pompidou, and The Getty Center. His critical writings have appeared in Porn Studies, Vectors: Journal of Culture and Technology in a Dynamic Vernacular, GLQ, and Resolutions 3: Video Praxis in Global Spaces. His book, A View from the Bottom: Asian American Masculinity and Sexual Representation (Duke UP, 2014), looks at the depiction of gay Asian bottomhood in film, video, and the Internet. He has programmed film, video, and performance work for a variety of international film festivals and other venues. He is Associate Professor of English and Film Studies at Bryn Mawr College.
Known for
Credits
look_im_azn (2011)
Director

Forever Bottom! (1999)
Director
The Calling (2000)
Director
Crimson (2000)
Director
These Are a Few of My Favorite Things (1995)
Director

Pirated! (2000)
Director
Oriental Hardon (2026)
Director

Forever Linda! (1996)
Director

I Remember Dancing (2019)
Director
Eavesdropping on Jason Sato’s Brothers (2025)
Director
7 Steps to Sticky Heaven (1995)
Director
A Horse, A Filipino, Two Women, A Soldier, and Two Officers (2005)
Director
Love Letters 1 & 2 (For Julian Love, Hoang) (1996)
Director
Forever Jimmy! (1995)
Director

Maybe Never (But I'm Counting the Days) (1997)
Director

Cover Girl: A Gift from God (2015)
Director

K.I.P. (2001)
Director
The Lesbian Hand (—)
Director
Sad Porn Circa 1994 (2026)
Director

