
Sarah-Jane Sauvegrain
Photoplayd Industry Rating
Not enough rated films yet to compute a weighted score.
Roles are weighted by involvement: director 1.0, screenwriter 0.7, lead 0.8, supporting 0.4, crew 0.1.
Known for
Credits

Clint Eastwood: The Last Legend (2022)
as Narrator (French version)

Filmmakers for the Prosecution (2023)
as Self - Narrator (voice)

Fantômas: A Thoroughly Modern Villain (2022)
as Self - Narrator (voice)

Becoming Al Pacino (2022)
as Self - Narrator (voice)

La Caverne (2016)
Actor

Brad Pitt: More Than a Pretty Face (2022)
as Self - Narrator (voice)

Wolfy: The Incredible Secret (2013)
as Nina / Captain N (voice)

Très chère électricité (2025)
as Narrator (voice over)

Murder in Le Havre (2018)
as Gaëlle Madec

Tom Hanks, un héros ordinaire (2026)
as Narrator (voice over)

Les mélancolies de Sade (2020)
as Juliette

Nastassja Kinski, une vie à soi (2025)
as Narrator (voice over)

Empress Michiko, the Strength of the Reed (2021)
as Narrator (voice)

The Mystery of the Med Rings (2024)
as Herself

Asie-Pacifique - la nouvelle poudrière (2022)
as Self - Narrator (voice)

Giscard et l'Europe : chronique d'un rêve inachevé (2025)
as Narrator (voice over)

1914-1918, le trésor oublié d'Antoinette et Louis (2025)
as Narrator (voix off)

Jacques Audiard, le cinéma à cœur (2021)
as Self - Narrator (voice)

Chaplin et Les temps modernes, La voie du silence (2025)
as Narrator (voice over)

Thorin, le dernier Néandertalien (2024)
as Narratrice (voix)

Jour d’éclipse (2025)
Actor

VHS Revolution (2017)
as Narrator (voice)

Toulouse-Lautrec, l'insaisissable (2019)
as Narrator (voice)

Une vie en transit, ou l'illusion du provisoire (2024)
as voice-over

The Pretenders: Chrissie Hynde or Rock Life (2023)
as Self - Narrator (voice)

Betty Boop Forever (2020)
as (voice)

Chicks (2010)
as Pam

1940: Taking over French Cinema (2019)
as Self (voice)

Martin Luther King: More Than One Dream (2022)
Actor

Enquête sur les trésors enfouis de Notre-Dame de Paris (2024)
as Sprecherin
Vasarely: l'illusion pour tous (2018)
as commentary





