José A. Mauro
Photoplayd Industry Rating
Not enough rated films yet to compute a weighted score.
Roles are weighted by involvement: director 1.0, screenwriter 0.7, lead 0.8, supporting 0.4, crew 0.1.
Son of the pioneer Humberto Mauro, Zequinha was one of the most talented and prolific film photographers in the country. In addition to producing more than a hundred films, Zequinha Mauro trains several generations of cinema photographers in Brazil. He also edited and directed films obtained by the National Institute of Educational Cinema.
Known for
Credits
A Velha a Fiar (1964)
Director of Photography
Welles' Language (1990)
Director of Photography
O Canto da Saudade (1952)
Director of Photography
Museu Nacional (1960)
Director of Photography
Oswaldo Cruz (1973)
Director of Photography
Cantos de Trabalho (1955)
Director of Photography
Silo Trincheira (1955)
Director of Photography
Canção de Amor (1977)
Director of Photography
Manhã Na Roça: O Carro de Bois (1956)
Director of Photography
Congonhas do Campo (1957)
Director of Photography
Rural Constructions (1956)
Director of Photography
Os Brasileiros e a Conquista do Ar (1973)
Director of Photography
Academia Brasileira de Letras (1977)
Director of Photography
Rio, Uma Visão do Futuro (1966)
Director of Photography
Paulo Emílio S. Gomes - Ganga Bruta (1976)
Director of Photography
Festa do Divino Espírito Santo (1975)
Director of Photography
Taim (1979)
Director of Photography
Conversa com Cascudo (1977)
Director of Photography
Higiene Rural (1954)
Director of Photography
O Cinegrafista de Rondon (1979)
Director of Photography
Perto de Clarice (1982)
Director of Photography
Cerâmica: Escola Técnica Nacional (1952)
Director of Photography
Febre Amarela II (1938)
Director of Photography
A Medida do Tempo (1958)
Director of Photography
Indústria Farmacêutica no Brasil (1948)
Director of Photography
Cidade do Salvador (1949)
Director of Photography
O Cristal Oscilador: Industrialização do Quartzo no Brasil (1947)
Director of Photography
Laço de Fita (1976)
Director of Photography
O Preparo e Conservação dos Alimentos (1955)
Director of Photography
O Ensino Industrial no Brasil (1945)
Director of Photography
Sabará: Museu do Ouro (1956)
Director of Photography
Gravuras: Buril, Ponta Seca, Água Tinta (1952)
Director of Photography
Endemias Rurais (1960)
Director of Photography
Campos do Jordão (1947)
Director of Photography
O Papel (1962)
Director of Photography