Vanessa Renwick
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Vanessa Olivia Renwick is a non-binary artist of Scottish and German descent, born on the traditional and unceded territory of the Illiniwek in what is now known as Chicago, Illinois. They live and work as an uninvited guest on the traditional territory of the Chinookan peoples, now known as Portland, Oregon. Often focusing their lens on nature, freedom and the locales of their adopted home, the Pacific Northwest, Renwick uses avant-garde formal elements to explore radical politics and environmental issues. An artist who often self-distributes, their screening history reads as a map of independent cinema worldwide. They have screened work in hundreds of venues internationally, institutional and not, including The Museum of Modern Art, Light Industry, The Wexner Center for the Arts, Art Basel, Oberhausen, The Museum of Jurassic Technology, Centre Pompidou, Bread and Puppet Theater and True/False Film Festival, among many others.
Known for
Credits

The Film That Buys the Cinema (2014)
Director

Layover (2014)
Director

Worse (1994)
Director

SF HITCH (2012)
Director

Crowdog (1984)
Director

The Girl on the Boat (2020)
Director

Portrait #2: Trojan (2006)
Director
Lovejoy (—)
Director

Kesh (2018)
Director
Richart (2001)
Director

NEXT LEVEL FUCKED UP (2016)
Director

The Yodeling Lesson (1998)
Director
Portrait #1: Cascadia Terminal (—)
Director

Toxic Shock (1983)
Director
9 is a Secret (2002)
Director

Bells in Five (2022)
Director

CRACK HOUSE (2015)
Director

Britton, South Dakota (2003)
Director

Cold Holy Water (2019)
Director





