Marjorie Keller
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Not enough rated films yet to compute a weighted score.
Roles are weighted by involvement: director 1.0, screenwriter 0.7, lead 0.8, supporting 0.4, crew 0.1.
Experimental filmmaker, author, activist, film scholar, and cultural worker Marjorie Keller (1950-1994) created a uniquely personal and feminist body of work for twenty years beginning in the early 1970s. Keller also served on the board of directors of the Collective for Living Cinema, was the founding editor of their journal, Motion Picture from 1984 to 1987 and was Director of the New York Filmmakers Cooperative in the late 1980s. Writer J. Hoberman called her “an unselfish champion of the avant-garde.” Her films deftly combine home movie and diary styles through a potent politicized lens.
Known for
Credits
Ancient Parts/Foreign Parts (1979)
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Objection (1974)
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Misconception (1977)
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On the Verge of an Image of Christmas (1978)
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Untitled (1971)
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The Fallen World (1983)
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Superimposition (1975)
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Private Parts (1988)
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Herein (1991)
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Daughters of Chaos (1980)
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Part IV (Green Hill) (1972)
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Untitled (1971)
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Turtle (1969)
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The Answering Furrow (1985)
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Hell No, No Cuts (1973)
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Film Notebook: Part 2 (Some of Us in the Mechanical Age) (1975)
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The Outer Circle (1973)
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By Twos and Threes: Women (1974)
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The Web (1977)
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Six Windows (1979)
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She/Va (1973)
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We Demand Jobs (1971)
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Film Notebook: Part 1 (For Saul) (1975)
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Lyrics (1985)
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