
Edgar Brasil
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Edgar Brasil, born Edgar Hauschildt (June 21, 1902 – April 1, 1954) was a German-born Brazilian cinematographer. He worked on more than 50 productions during his career. Edgar Brasil's career focused primarily on studio cinema. Therefore, at each company he worked for, he encountered different resources and developed different types of cinema. While at Cinédia, he developed a style very similar to Hollywood, with elements and features of Art Deco cinema, moving toward classical cinematography. At Atlântida, due to technical limitations, Edgar had to make more basic and restrained films. It was at Vera Cruz and Kino Filmes that Brasil returned to studio work creatively, once again influenced by North American cinema, through expressionist lighting reminiscent of Hollywood film noir. (Wikipedia)
Known for
Credits

Limite (1931)
Director of Photography

Veneno (1952)
Director of Photography

A Real Woman (1955)
Director of Photography

Tristezas Não Pagam Dívidas (1943)
Director of Photography

Candinho (1954)
Director of Photography

É Fogo na Roupa (1952)
Director of Photography

O Samba da Vida (1937)
Director of Photography

Banana-da-Terra (1939)
Director of Photography

Aviso aos Navegantes (1950)
Director of Photography

A Voz do Carnaval (1933)
Director of Photography

Entra na Farra (1943)
Director of Photography

Maior Que o Ódio (1951)
Director of Photography

Hello, Hello, Brazil! (1935)
Director of Photography

Barnabé, You Are Mine (1952)
Director of Photography

The Shadow of Another (1950)
Director of Photography

Também Somos Irmãos (1949)
Director of Photography

Minas Conspiracy (1948)
Director of Photography

Terra Violenta (1949)
Director of Photography

Alô Alô Carnaval (1936)
Director of Photography

Não Adianta Chorar (1945)
Director of Photography

O Rei do Samba (1952)
Director of Photography

Romance de um Mordedor (1944)
Director of Photography





