Ray Kellogg
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Edgar Ray Kellogg was an American special effects artist and film director. During World War II, Kellogg was a U.S. Navy Lieutenant with the O.S.S. Field Photographing Branch where he became acquainted with director John Ford. Following the war, Kellogg went to Hollywood, working in special effects for 20th Century Fox, eventually heading the unit. He made his debut as a director in 1959.
Known for
Credits
Gentlemen Prefer Blondes (1953)
Visual Effects
Niagara (1953)
Visual Effects
The King and I (1956)
Visual Effects
River of No Return (1954)
Visual Effects
Bus Stop (1956)
Visual Effects
The Tall Men (1955)
Visual Effects
Wagon Master (1950)
Visual Effects
The Snows of Kilimanjaro (1952)
Visual Effects
Fourteen Hours (1951)
Visual Effects
There's No Business Like Show Business (1954)
Visual Effects
Don't Bother to Knock (1952)
Visual Effects
Pickup on South Street (1953)
Visual Effects
The Man in the Gray Flannel Suit (1956)
Visual Effects
Love Me Tender (1956)
Visual Effects
Deadline - U.S.A. (1952)
Visual Effects
Teenage Rebel (1956)
Visual Effects
Dangerous Crossing (1953)
Visual Effects
We're Not Married! (1952)
Visual Effects
Soldier of Fortune (1955)
Visual Effects
Inferno (1953)
Visual Effects
Call Me Madam (1953)
Visual Effects
23 Paces to Baker Street (1956)
Visual Effects
Fixed Bayonets! (1951)
Visual Effects
The Left Hand of God (1955)
Visual Effects
A Blueprint for Murder (1953)
Visual Effects
Belles on Their Toes (1952)
Visual Effects
Powder River (1953)
Visual Effects
Dreamboat (1952)
Visual Effects
City of Bad Men (1953)
Visual Effects
Treasure of the Golden Condor (1953)
Visual Effects
White Witch Doctor (1953)
Visual Effects
Three Brave Men (1956)
Visual Effects
Oh, Men! Oh, Women! (1957)
Visual Effects
My Wife's Best Friend (1952)
Visual Effects