Nicolas Farkas
Photoplayd Industry Rating
Not enough rated films yet to compute a weighted score.
Roles are weighted by involvement: director 1.0, screenwriter 0.7, lead 0.8, supporting 0.4, crew 0.1.
Hungarian cinematographer and filmmaker.
Known for
Credits

The Prosecutor Hallers (1930)
Director of Photography

Cement (1927)
Director of Photography

The Other (1930)
Director of Photography
Fra Diavolo (1931)
Director of Photography

Don Quixote (1933)
Director of Photography

Berlin-Alexanderplatz: The Story of Franz Biberkopf (1931)
Director of Photography

Money on the Street (1930)
Director of Photography

The Ship of Lost Men (1929)
Director of Photography

Kira Kiralina (1928)
Director of Photography

The Alley Cat (1929)
Director of Photography
Der Fluch (1925)
Director of Photography

Zwei Krawatten (1930)
Director of Photography

Tragedy in the House of Habsburg (1924)
Director of Photography
Samson und Delila (1922)
Director of Photography

The Right to Love (1930)
Director of Photography

Fra Diavolo (1931)
Director of Photography

The Morals of the Alley (1925)
Director of Photography

L'inconnu d'un soir (1949)
Director of Photography

Madame Has an Exit (1931)
Director of Photography

The Firm Weds (1931)
Director of Photography

Danton (1931)
Director of Photography

Die weißen Rosen von Ravensberg (1929)
Director of Photography

Der Fall des Staatsanwalts M... (1928)
Director of Photography

Mrs. Dane's Confession (1921)
Director of Photography
The Three Kings (1928)
Director of Photography
Liebe im Mai (1928)
Director of Photography

Amourous Adventure (1932)
Director of Photography
Fräulein Frau (1923)
Director of Photography

Crucified Girl (1929)
Director of Photography

Through Tears (1928)
Director of Photography

Exile to Siberia (1930)
Director of Photography





