
Hsu Tseng-Hung
Photoplayd Industry Rating
Not enough rated films yet to compute a weighted score.
Roles are weighted by involvement: director 1.0, screenwriter 0.7, lead 0.8, supporting 0.4, crew 0.1.
He was born in Shanghai in 11/19/1935. He came to HK in 1949 and started working as an assistant cinematographer at Nanguo Studio. He eventually joined Shaw Brothers in 1964 where he worked with Chang Cheh as assistant director in The Butterfly Chalice (1965) and Tiger Boy (1966). He directed the first ever colour Wuxia for the studio Temple of the Red Lotus (1965) and its subsequent sequels Twin Swords (1965) and The Sword and the Lute (1967). His last film for the studio will be Swordsman at Large (1971). Hsu joined Golden Harvest (HK) Limited in 1971 and directed the Chinese version of Zatoichi and the One-Armed Swordsman, a parallel to the Japanese version directed by Kimiyoshi Yasuda. (Excerpt taken from Hong Kong Film Archive).
Known for
Credits

Zatoichi Meets the One-Armed Swordsman (1971)
Director

Temple of the Red Lotus (1965)
Director

The Thundering Sword (1967)
Director

The Twin Swords (1965)
Director

Immortal Warriors (1978)
Director

The Sword and the Lute (1967)
Director

Twelve Deadly Coins (1969)
Director

King Cat (1967)
Director

The Secret of the Dirk (1970)
Director

One Armed Swordsman Against Nine Killers (1976)
Director

Thousand Miles Escort (1977)
Director

The Invincible Sword (1971)
Director

18 Shaolin Disciples (1975)
Director

The Silver Fox (1968)
Director

The Gallant Duo (1971)
Director

Swordsman at Large (1971)
Director

My Wife, My Love and My Maid (1973)
Director

The Invincible Superguy (1977)
Director

Greatest Thai Boxing (1974)
Director

Red Lotus Collection (—)
Director





