
Alberto Fischerman
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Alberto Fischerman (1937–1995) was an Argentine film director and advertising filmmaker. Much of his professional training and career took place in the advertising industry, where he worked as a director. In the late 1960s, he became a member of the Grupo de los Cinco (Group of Five), alongside Ricardo Becher, Néstor Paternostro, Raúl de la Torre, and Juan José Stagnaro, filmmakers united by a desire to renew the forms and modes of production of Argentine cinema. He made his feature-film debut with *The Players vs. Ángeles Caídos* (1969), which became the foremost representative of the aesthetic avant-garde in Argentine cinema of the period. Throughout his career, he directed films of widely varying styles, alternating between works of greater formal radicalism and more narrative-oriented productions, while continuing his work in advertising and television.
Known for
Credits

Los pocillos (1974)
Director

Las puertitas del Sr. López (1988)
Director

Ya no hay hombres (1991)
Director

The Players vs. Ángeles Caídos (1969)
Director

Los días de junio (1985)
Director

Operación no se respira (1970)
Director

De la misteriosa Buenos Aires (1981)
Director

La clínica del Dr. Cureta (1987)
Director

Las sorpresas (1975)
Director

Quema (1962)
Director
Retrato de Jorge Lavelli (1994)
Director

La pieza de Franz (1973)
Director

Gombrowicz or seduction (Represented by his disciples) (1986)
Director
El techo de Soldi (1966)
Director




