
Bruce Conner
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Bruce Conner (November 18, 1933 - July 7, 2008) was an American artist renowned for his work in film, drawing, sculpture, painting, collage, and photography, among other disciplines. He first attracted public attention in the 1950s with his nylon-shrouded assemblages—complex sculptures of found objects such as women's stockings, costume jewelry, bicycle wheels, and broken dolls, often combined with collaged or painted surfaces. Simultaneously during the late 1950s, he began making short movies in a singular style that has since established him as one of the most important figures in postwar independent filmmaking. He used an innovative technique that can best be seen in his first film, "A MOVIE" (1958), which was created by piecing together scraps of B-movies, newsreels, novelty shorts, and other preexisting footage. His subsequent films are most often fast-paced collages of found and new footage, and he was among the first to use pop music for film sound tracks. His films have inspired generations of filmmakers and are now considered to be the precursors of the music video genre.
Known for
Credits

A Movie (1958)
Director

Crossroads (1976)
Director

Cosmic Ray (1962)
Director
Luke (1967)
Director

Mea Culpa (1981)
Director

Report (1967)
Director

Vivian (1965)
Director

Breakaway (1967)
Director

Mongoloid (1978)
Director
Liberty Crown (1967)
Director

Permian Strata (1969)
Director

Easter Morning (2008)
Director

Valse Triste (1977)
Director

Looking for Mushrooms (1996)
Director

America Is Waiting (1981)
Director

The White Rose (1967)
Director

Three Screen Ray (2006)
Director

Take the 5:10 to Dreamland (1976)
Director

Looking for Mushrooms (1967)
Director
His Eye Is on the Sparrow (2006)
Director

Eve-Ray-Forever (1965)
Director
Antonia Christina Basilotta (1968)
Director
Easter Morning Raga (1967)
Director

Television Assassination (1975)
Director

Marilyn Times Five (1973)
Director




