
Len Powers
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Roles are weighted by involvement: director 1.0, screenwriter 0.7, lead 0.8, supporting 0.4, crew 0.1.
POWERS, LEN (Leonard Stephen Powers) Born December 12, 1892 (although he incorrectly gave 1894 on some documents), Rodney, Iowa. Len grew up in Grant, Iowa with his grocer father Charles, mother May, and siblings Charles, Hazel and Clara. He went to school in Portland, Oregon and for a time was a professional boxer. Powers began work as a cinematographer with Reliance in 1914. He shot Blue Blood and Red (1916) for Raoul Walsh at Fox, and Headin’ South (1918) for Douglas Fairbanks, directed by Allan Dwan; he also worked for Magnetic, Mack Sennett, and Hank Mann Comedies. His first film for Hal Roach was the Our Gang short Young Sherlocks (1922). He directed or co-directed 14 Dippy Doo-Dad shorts for Roach in 1923 and ’24, and because of his success with all-animal casts he was asked to film a rooster crowing for the official Pathé logo. After that, Powers was a cameraman exclusively for Roach through 1933, mostly working with Charley Chase. (He moonlighted as a gagman for Mack Sennett in 1927.) With Laurel and Hardy he worked on From Soup to Nuts, Habeas Corpus, Unaccustomed As We Are, Berth Marks, The Hoose-Gow, and The Music Box. He worked at Universal in the early ’40s and was camera operator on some Johnny Mack Brown Westerns toward the end of the decade. His last known credit was photographing stills for Around the World in Eighty Days (1956). Powers’ wife, the former Muriel Elizabeth Davey, died in November. 1945, but he was survived by their daughter Murlen. Died January25, 1965, Hollywood, California, age 72; of a heart attack.
Known for
Credits

The Music Box (1932)
Director of Photography

Headin' South (1918)
Director of Photography

Berth Marks (1929)
Director of Photography

Unaccustomed as We Are (1929)
Director of Photography

Are Brunettes Safe? (1927)
Director of Photography

Bear Shooters (1930)
Director of Photography

The Cohens and Kellys in Trouble (1933)
Director of Photography

Don Key (Son of Burro) (1926)
Director of Photography

Crazy Like a Fox (1926)
Director of Photography

The Boy Friend (1928)
Director of Photography

Bromo and Juliet (1926)
Director of Photography

Along Came Auntie (1926)
Director of Photography

Limousine Love (1928)
Director of Photography

Be Your Age (1926)
Director of Photography

The Way of All Pants (1927)
Director of Photography

Fighting Fluid (1925)
Director of Photography

Arabian Tights (1933)
Director of Photography

Stolen Goods (1924)
Director of Photography
You're Telling Me (1932)
Director of Photography

Plain and Fancy Girls (1925)
Director of Photography

Say It with Babies (1926)
Director of Photography

Wise Guys Prefer Brunettes (1926)
Director of Photography

Should Husbands Be Watched? (1925)
Director of Photography

Wandering Papas (1926)
Director of Photography

Bad Boy (1925)
Director of Photography

Innocent Husbands (1925)
Director of Photography

The Honor System (1917)
Director of Photography

The Tabasco Kid (1932)
Director of Photography

Sittin' Pretty (1924)
Director of Photography

Hollywood Burlesque (1949)
Director of Photography





